SAMAHAN MUSIC ENSEMBLES
RONDALLA
The musical components of Samahan were formed in 1980 with
the assistance of Bayani Mendoza De Leon, well known Filipino
ethnomusicologist and composer. Under his expert tutelage, Samahan's
Rondalla, Gangsa and Kulintang Musical Ensembles were formed. A
grant from Parker Foundation enabled the Company to obtain musical
instruments from the Philippines. His students who have
continued to play with the Rondalla, Dr. Juanita Caccam, Sheryl
Aguilar Rodriguez and Dr. Carmen Galang, have become the foundation
of the current group. Today, it benefits from the leadership
of Frederick Embalsado, as music director and Dr. Caccam as the
coordinator.
KULINTANG
Danongan Sibay Kalanduyan, master
artist/teacher of Kulintang Music became a guest teacher and artist
with the Company from 1989 to 1991 and 1994 to 1997. He introduced
Samahan to the authentic music of the Maguindanao people as well as
to the music of the Maranao people. Kalanduyan was honored in
1995, as a recipient of the prestigious National Heritage Fellowship
Award by the National Endowment of the Arts. His patient guidance
resulted in the development of Bernard Ellorin, one of his students,
as a Kulintang player of great promise. Bernard's talent and
dedication to Kulintang music and his knowledge of authentic
Maguindanao and Maranao Kulintang music as learned from Master
Kalanduyan is vital in the growth of Samahan's Kulintang Music
Ensemble. Since 1996, he has been the Kulintang player and Director
of the Samahan Kulintang Ensemble which provides live Kulintang
music for Mindanao dance performances. Original members of the Kulintang
Ensemble are SDSU alumni, Eric Abutin, Chris Feraro and Severino
Reyes, who all went through the basic Kulintang training with Master
Kalanduyan. Bernard's students, Mitchell Almoite, Raynard Abalos and
Christine Quidim play with the Ensemble, too. The group
eventually adapted the name Pakaraguian Kulintang Ensemble, merging
with the group formed by Bernard and his UCLA music colleagues.
Bernard obtained his
Bachelor's degree in Ethnomusicology, cum laude, from the Univ. of California, Los Angeles in
2003 and his Masters in Music, majoring in Ethnomusicology in 2008
from the University of Hawaii, Manoa. He is presently pursuing
his Ph.D. in Ethnomusicology at the University of Hawaii, Manoa.